Reflecting on my 15-year-old self with the concepts and experience I have now, it seems to me that I was drawn to drumming because it felt abstract, because the meaning it constructs can’t be translated into any other form.

Drumming is physical. Drumming (and this is no coincidence) is emotional expression in the same way dancing is: not reliant on words, or even symbols. On the surface, drumming divides time, but underneath, it creates space for the body to be in time, and time for the body to be in space. Even the simplest of phrases, a single hit repeated at regular intervals, creates space for bodies to be: here, here, here, here. Add the most minimal variation and you get movement: left, right, left, right. Bring in differentiation of frequency ranges and you bring awareness and mobility to hips, shoulders, ellbows, hands, finger tips.

Drumming helps a body be grounded without becoming immovable. It helps a body be here without getting stuck in an anxious memory of being here. We can be here while also going forward, forward in time. Here, here, here, here. Drumming is an interactive reminder of the fact that going anywhere with intention and awareness is only possible because our being here is itself dynamic. Being here is movement.

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